They do, however, adhere closely to the recurring themes of his work. And finally, Poe’s work was being taught in most American high schools and would be familiar to AIP’s target audience.Īnyone who has ever had even a cursory reading of Poe will instantly recognize that these films are extremely loose adaptations of his stories. Second, Poe’s material had long since fallen into the public domain and was therefore free, which greatly pleased his producers. First, he had been a lifelong fan of the writer. For the first of these, he pitched making a film based on Edgar Allan Poe’s short story “ The Fall of the House of Usher.” Corman chose Poe for three main reasons. Corman, feeling that this method had begun to lose its luster, suggested combining the cost of the two films into one larger budget film, in color and widescreen, shot in 15 days. Nicholson and Arkoff’s business model at the time was to make two black and white quickies, shot in ten days, and sell them together for the price of one. His primary partner in these ventures was American International Pictures (AIP) under the leadership of James H. They are preoccupied with the thin veil separating life and death, making them perfect fall viewing.īeginning in the mid-50s, Roger Corman became a B-movie making machine, churning out as many as nine films in a single year. Though they never explicitly reference the fall festival, these films are filled with cobwebs, coffins, and dungeons. Though period films, absolutely dripping with gothic atmosphere, most utilize modern, experimental film techniques.
#EVIL DEAD DIRECTOR SERIES#
The series of films directed by Roger Corman in the early 60s that have become known collectively as The Poe Cycle are a truly unique series of films. But there is another great classic franchise worth consideration. Next, perhaps the Amicus anthologies or the films Val Lewton produced for RKO in the 1940s. When it comes to classic horror, the Universal and Hammer monster movies come immediately to mind. Robert Tapert is also executive producing alongside Raimi and Campbell.
“I am excited and humbled to be resurrecting the most iconic of evil forces for both the fans and a whole new generation.” “The Evil Dead movies filled my brain with terror and awe when I first saw them at 9 years old,” Cronin said. I can’t wait for Alyssa and Lily to fill the blood-soaked shoes of those who have come before them and carry on that tradition,” Campbell added in a statement. “At its core, Evil Dead is about ordinary people overcoming extraordinarily terrifying situations.
I’m equally excited to be working with Lee Cronin, whose gifts as a storyteller make him the ideal filmmaker to continue the enduring legacy of the franchise.” “The company’s history as pioneers of horror speaks for itself. “I’m thrilled to bring Evil Dead back to its original home at New Line 40 years after the release of the first film,” Raimi said in a statement.
The twisted tale centers on two estranged sisters, portrayed by Alyssa Sutherland and Lily Sullivan, whose reunion is cut short by the rise of flesh-possessing demons, thrusting them into a primal battle for survival as they face the most nightmarish version of family imaginable.” “Evil Dead Rise moves the action out of the woods and into the city. Variety, who initially broke the news, detailed the next chapter in the saga that builds off the original trilogy, rather than the 2013 reboot. With Raimi and Campbell once again producing, Evil Dead Rise is set up at New Line Cinema, and in the director’s chair this time around is Lee Cronin ( The Hole in the Ground), who just revealed that production has officially kicked off in New Zealand! Check it…ĭay 1. It’s surreal to think that we’re getting even more with the universe expanding Evil Dead Rise that’s being produced for HBO Max. We spent nearly two decades begging for a follow-up to Army of Darkness and now Sam Raimi and Bruce Campbell have spoiled us with the 2013 Evil Dead and an entire “Ash vs.
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